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MF GALAXY

MF GALAXY is a weekly podcast powered by four mighty engines: * Writers on writing: the craft and the business * Pop culture including TV, movies, graphic novels, and more * Progressive politics, activism, and social enterprise * Africentric change-makers, histories, cultures, art, and more! Mixing brand-new interviews with classic conversations (from my archive of 23 years in broadcasting) with famous and dynamic figures in the arts, Hollywood, and politics, MF GALAXY will take you to places you've never been before, and deliver fresh insights on the places you've been.
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Now displaying: Page 1
Aug 2, 2017

Hip hop at its finest is a poetical, political voice for those whose voices have been silenced; it speaks to the anger, the dignity, and the triumphant joy of the oppressed. If hip hop is the music of the dispossessed, then no one in North America should have a greater claim on it than the First Nations. Combine that revolutionary rage and cultural crucible with artistic passion and power, and you have what was Canada’s finest hip hop band—WAR PARTY.

Formed in 1995 under the leadership of Maskwacis Cree artist, lead vocalist, and executive producer Rex Smallboy, and co-vocalists Cynthia Smallboy, and Thane Saddleback, War Party won the Canadian Aboriginal Music Award for Best Rap Album in 2001, and were the first Indigenous crew featured on Canada’s Much Music channel. The video for “Feeling Reserved” exploded across Canadian television in 2001 with a powerful set of voices and images that was thankfully bling-bling- and booty-shaking-free. Instead, the video showed everyday people with extraordinary voices and lyrical intelligence, denouncing settler-colonial genocide.

War Party performed with Ice-T, Wu-Tang Clan, Guru, Maestro Fresh Wes and K-OS among many others, and recently Chuck D. recorded an introduction for the new album “The Resistance.” The band got global attention by representing Canada at the World Expo in Nagoya, Japan and for performing for the First Americans Festival at the Smithsonian Museum.

Fiercely proud of their Cree heritage specifically and their First Nations heritage generally, the band refused to fall into the trap of not wanting to be known as “Native rappers.” Their embrace of their heritage made them universal, in the same way that Miriam Makeba, Public Enemy, or Nusrat Khan are emblems of their people, and emblems of human culture, struggle, and aspiration generally.

While the group has since splintered into factions, one of which is named RezOfficial, their original ground-breaking work lives on. Rex Smallboy continues to make albums and also works as a motivational speaker.

In the summer of 2004, I spoke with band members Rex Smallboy and his then-wife Cynthia at the University of Alberta in Edmonton. You can hear Cynthia Smallboy in the bonus content for today’s show. Rex and I discussed:

  • Finding Indigenous identity in hop hop while fighting the corrupting influence of gangsta rap
  • When hip hop’s real slogan should be “misrepresent”
  • Using Cree slang on wax
  • Representing women with respect in videos
  • Debating K-Os on social responsibility vs personal desire
  • The importance of hip hop innovation to challenge youth and elders alike
  • The artistic burden of bearing an entire race's multiple agendas, and
  • When and why he’d praise a settler for wearing a head dress

Note that our conversation includes reference to the Cree Nation’s reserve that was once called Hobbema, about 90 minutes south of Edmonton. The reserve finally discarded that German name and is now called Maskwacis.

War Party.ca

War Party music videos

War Party with Chuck D. – The Resistance

Rex Smallboy – “Children of God”

Feelin’ Reserved

All for One

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