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MF GALAXY

MF GALAXY is a weekly podcast powered by four mighty engines: * Writers on writing: the craft and the business * Pop culture including TV, movies, graphic novels, and more * Progressive politics, activism, and social enterprise * Africentric change-makers, histories, cultures, art, and more! Mixing brand-new interviews with classic conversations (from my archive of 23 years in broadcasting) with famous and dynamic figures in the arts, Hollywood, and politics, MF GALAXY will take you to places you've never been before, and deliver fresh insights on the places you've been.
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Now displaying: Category: writer - novelist
Nov 12, 2018

Lyda Morehouse is pretty terrific. We first met at NorWesCon in Seattle when we were both finalists for the Philip K. Dick Award. She was totally down-to-earth, fun, funny, and welcoming. She was also an extremely accomplished author who by now has written at least twelve books, including the cyberpunk Archangel Protocol series, and under her pen-name Tate Hallaway, the Vampire Princess of St. Paul series.

Like most authors, Morehouse has had career lows and not just highs. But unlike most authors, she’s always been open about those difficult journeys through the valley of print. That’s the kind of generosity with vulnerability that makes it possible for other people to learn, and it makes me respect her all the more.

Lyda Morehouse spoke with me by web video on October 23, 2018. We discussed: 

  • Why a career crisis-point forced her to take a new name
  • Whether a Philip K. Dick Award nomination or win is a career-killer
  • Why she once filled a coffin with her own books
  • How to rise to the challenge of writing whatever genre you’d always claimed would be easy
  • Why to be a “hybrid writer”—that is, publishing through corporations and independently at the same time, and
  • What you need to understand about your plot and your readers to get the most out of your endings

 

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Oct 29, 2018

So you want to write mystery fiction, crime fiction, or detective fiction, but your characters don’t crackle, your plots don’t pop, and your mysteries don’t sizzle. What should you do? How’re you going make readers keep turning those pages?

You need to listen to mystery writer S.G. Wong.

Oh, there are other writers, right here in E-Town, who are admirable. We’ve got them in every form and genre, and they do amazing work. But there’s only a handful of people I know who are a combo of outstanding craft, outstanding teaching, and outstanding organising for the writing community. And standing tall inside that select group is S.G. Wong, the creator of the Lola Starke mystery novels featuring a hard-boiled but beautiful detective, a carefully-constructed alternate Earth in which the Chinese colonised what we know as Los Angeles to build Crescent City, and a crackling mixture of magic and ghosts.

Such imagination has gotten SG Wong shortlisted for the Arthur Ellis Awards in the Best First Novel and Best Short Story categories. Maybe speaking four languages is an asset to thinking widely and wildly. Wong is a member of the Writers’ Guild of Alberta and Sisters in Crime (National), and Past President of the Sisters in Crime—Canada West chapter. She’s organised numerous writer events, and taught and spoken more places than I can mention.

Recently SG Wong taught a Canadian Authors Association (Alberta Branch) workshop on crime fiction; she taught plotting, while EC Bell taught researching, and Jane Bernard taught creating voice. Wong and I spoke by web video on October 22, 2018, and we discussed: 

  • How to make better plots by building better characters
  • Why your characters must make choices that you as the writer totally disagree with
  • The one question that can totally fix contrived characterisation
  • How to make your story-world a place where readers want to visit and stay, and
  • Why she loathes the phrase “strong female protagonist”

SG Wong.com

Lola Starke series of novels and of the Crescent City short stories

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Oct 22, 2018

If memory serves, I’ve known Craig DiLouie since 2008, and he immediately struck me as an artist with a gravitic commitment to the craft, business, and community of writers. I saw him giving a book trailer-making workshop at the World Fantasy Convention, held that year in Calgary, and right after that I checked his amazing videos, and later devoured his gripping, terrifying zombie novel The Infection.

DiLouie is the author of a whopping eighteen novels including One of Us, the Crash Dive series, Suffer the Children, and The Great Planet Robbery. His books cross numerous genres including horror, apocalypse, zombie, science fiction, fantasy, historical, and military fiction; his work has been translated into multiple languages and been nominated for major awards including the Bram Stoker and the Audie. Because he’s such a heavy-hitter, I always enjoying learn from him about artistic and career development.

So on October 18, 2018, DiLouie spoke with me by web video from his home in Calgary. We discussed: 

  • The connection between horror and comedy
  • What Stephen King teaches about what it takes to be a great writer
  • Why, despite his early literary success, DiLouie experienced major pressure to perform following the publication of his novel Suffer the Children
  • Why authors should attend conventions
  • How and why to writes series
  • What software you should be using to maximise your sales
  • The one thing he wishes the fans of his books in separate genres would do, and the most important thing an author must do to sell more books

 

craigdilouie.com

KD Spy vs KDP Rocket vs Kindle Samurai

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Jun 13, 2018

There is an infinite number of ways not to have a successful writing career, but not that many ways to have one. You can write your own original novels and if you’re in the luckiest one percent, you’ll find editors who understand and love what you’re doing, and who work with publicists who know how to promote your work with opinion-leaders who’ll also love your work. Your publisher will work with distributors who’ll get your books into the bookstores where staff hand-sell your work. If you’re less lucky, you’ll end up like 98 percent of writers, whose books get a sliver of shelf-space for three months and die in the discount bin or get pulped.

But there’s another lucky one percent. And when I say lucky, I don’t mean they’re not hard-working, because as you’re about to hear from today’s guest, hard-working in this case could mean writing six books in one year, and one book in eleven days. And by lucky, I also don’t mean devoid of skill and artistry, because today’s guest has won numerous awards proving he has the respect of fans and his peers.

No, by lucky, I mean getting asked to enter the world of writing other people’s characters from movies, comics, or video games in new novels, or existing comics, video games, or table top games. Insiders call it licensed writing; some refer to IPs or intellectual property. For decades fans simply called these works tie-ins. And today’s guest is a master of them.

I met Alex Irvine at San Diego Comic Con 2004 when Del Rey was launching my first novel, The Coyote Kings of the Space-Age Bachelor Pad, and his new book One King, One Soldier had just come out. We hit it off right away. Irvine has worked as a reporter at the Portland Phoenix and as an English professor at the Universities of Denver and Maine.

But he’s written far, far more than I have. If you include trade-paperback collected editions and all his original and tie-in books, he’s released more than thirty. He’s written novels based on Batman, Transformers, Pacific Rim, Supernatural, Tin Tin, Dungeons and Dragons, and Isaac Asimov’s I, Robot, and has written comics for Marvel featuring Iron Man, Damien Hellstrom, and Daredevil. He’s written Alternate Reality Games including The Beast and I Love Bees, and the Facebook game Marvel: Avengers Alliance. His original novels include One King, One Soldier, The Narrows, and the Locus and Crawford-winning A Scattering of Jades.

Alex Irvine spoke with me by web video on May 25, 2018 from his home in Maine. We discussed: 

  • How and why he got started in the tie-in business, and why he’s stayed in it so long
  • The rewards of writing in so many different fields
  • Why he wishes he could write more slowly
  • The surprising flexibility of some tie-in publishers and a major Hollywood director, and the predictable rigidity of one, and
  • What you need to request in order to avoid getting exploited by publishers

 

AlexIrvine.blogspot.ca

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Feb 13, 2017

Thomas Wharton. If he decided to wear a ballcap that says “Winning” he’d have every right to do so. His first novel was Icefields, and straight out of the gate, it won the Commonwealth Writer’s Prize for Best First Book in the Canada/Caribbean division, and the first Banff Mountain Book grand prize. Then his second novel, Salamander, was short-listed for the Governor-General’s Literary Award and the Rogers Writers’ Trust Fiction Prize. Then he up and gets his short story collection The Logogryph shortlisted for the IMPAC-Dublin Prize.

He also published The Perilous Realm, a YA fantasy trilogy. And his work’s been published in the US, UK, France, Germany, Italy, Japan, and many other countries. He teaches creative writing at the University of Alberta where he and I studied creative writing together way back in the early 1990s, and we had the chance to work together when I was the Writer in Residence at the U of A in 2014-2015. Tom’s also a down-to-earth cat who values rich language, numerous genres, and quality teaching.

In today’s episode of MF GALAXY, Wharton discusses:

  • What it takes to teach creative writing well
  • Whether Millennials are more narcissistic writers than Generation-Xers or Baby Boomers
  • How he plans stories and what made him change his method
  • Avoiding what he calls “the James Michener effect,” and
  • Clarifying the differences between fiction about young adults and young adult fiction

We spoke in my then-office at the University of Alberta on January 5, 2015, and Tom begins by introducing himself.

@TWhartonWrites

thomaswharton.ca http://thomaswharton.ca

facebook.com/perilousrealm

Thomas Wharton’s online writers’ workshop

Nov 22, 2016

Called “Violent, poetic and compulsively readable” by Maclean’s, science fiction author Tobias S. Buckell is a New York Times Bestselling writer born in the Caribbean. He grew up in Grenada and spent time in the British and US Virgin Islands, and the islands he lived on influence much of his work.

His Xenowealth series begins with Crystal Rain. Along with other stand-alone novels and his over 50 stories, his works have been translated into 18 different languages. He has been nominated for awards like the Hugo, Nebula, Prometheus, and the John W. Campbell Award for Best New Science Fiction Author. His latest novel is Hurricane Fever, a follow up to the successful Arctic Rising that NPR says will ‘give you the shivers.’

He currently lives in Bluffton, Ohio with his wife, twin daughters, and a pair of dogs. He can be found online at www.TobiasBuckell.com

Buckwell spoke with me about:

  • Growing up on a boat with TV but with a literal boatload of books
  • The impact of Arthur C. Clarke and Isaac Asimov on his young imagination
  • The significance of foundational adventure novelist African writer Alexandre Dumas
  • Using a 23+Me genetic test to uncover stunning revelations about his family
  • How he turned his reading disability into an authorial superpower
  • How to supercharge a sleeping-pill plot into an electrifying page-turner
  • How not to end a chapter
  • Reasons for academic bias against discussing the craft of entertainment

tobiasbuckell.com

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Sep 1, 2016

London-born Jenn Brissett is one of those classic overnight success stories who was decades in the making. Her first novel, Elysium: Or, The World After, was the runner-up for the 2015 Philip K. Dick Award and a finalist for the 2015 Locus Best First Novel Award. She’s currently completing the sequel called Eleusis and has had stories published in The Best of Halfway Down the Stairs.

She has a Master degree in Creative Writing specialising in Speculative Fiction, and also an Electrical Engineering degree with a concentration in Visual Art. Prior to winning literary accolades, she owned and ran Indigo Café & Books in Brooklyn.

In today’s MF GALAXY, we discuss:

  • Her strategies for creating intimacy for readers
  • How, why, and where she takes careful observation of her fellow New Yorkers
  • Why she uses analogue methods in a digital age for editing her work
  • Her take on using the five senses and, yes, extra senses, in order to make her work the best it can be, and
  • How to defeat imposter syndrome

And along the way, Brissett cites fantasy author David Anthony Durham.

She and I spoke on July 22, 2016 by Skype, and we began by discussing which teacher had such a huge impact on her, and why.

 

jennbrissett.com

 

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Sep 7, 2015

A Lee Martinez has authored of ten acclaimed novels including Divine Misfortune, Helen and Troy’s Epic Road Quest,and Chasing the Moon. For his debut novel Gil’s All Fright Diner, he won the Alex Award, which is given to adult fiction that possesses special appeal to younger readers.

 

Martinez’s work mixes dynamic world-building with whimsical, hilarious, and touching storytelling. Martinez’s The Automatic Detectiveis one of my favourite books. It’s a noir crime thriller about a robot designed to destroy humanity, but he just doesn’t feel like it, so he drives a cab. But the work succeeds because it’s far more than just wacky—it’s got heart, and characters we can love.

 

In this episode of MF GALAXY, Martinez discusses:

 

  • The reasons why so many fans and teachers of so-called literary fictiondismiss the importance of plot
  • His approach to characterisationon the invention versus reflection spectrum
  • The skillset required for effective revision, and the dangers of excessive revision
  • What it’s like working with an editor
  • The Dallas Fortworth writers’ workshop he frequents and why he does
  • His approach to wordplay and literary style, including the creation of dialogue, and
  • The art of world-buildingvs. the excesses of “world-porn,”and the world-building approach Martinez used in the robot-noir novel The Automatic Detective

 

We began by discussing the craft of plotting and the dangers of hewing too closely to an outline.

 

To download the special PATRONS-ONLY edition of this episode with A Lee Martinez, visit MF GALAXY.org and click the Patreon link on the right. Sponsor the show for a dollar or more per episode and access all extended edition podcasts and bonus videos. In this extended episode, Martinez discusses his business advice for writers, and the real reason to attend book signings.

 

 

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May 18, 2015

Nnedi Okorafor is the celebrated author of ten books, including The Shadow Speaker, Who Fears Death, and the forthcoming The Book of Phoenix. Zahrah the Windseeker, Okorafor’s debut novel about a highly technological world based on Nigerian myths and culture, wasnominated for the Locus Best First Novel Award, shortlisted for the Parallax and Kindred Awards, a finalist for the Golden Duck and Garden State Teen Choice awards, and it won the Wole Soyinka Prize for Literature.

 

This episode’s conversation with Okorafor comes from way down deep in the archives of The Terrordome: The Africa All-World News Service. I spoke with Okorafor by telephone back on January 18, 2009, but back then aired only a portion of what you’ll hear now. Okorafor talked about many issues, including:

 

  • Her definition of what Euro-American literary critic Mark Dery called Afrofuturism
  • The appeal of science fiction to African audiences who have for most of the genre’s existence been excluded by it
  • Her thoughts on just how Africentric The Matrixseries is, or isn’t
  • And the thesis of her famous 2004 essay called “Stephen King's Super-Duper Magical Negroes,” and what it reveals about American literary culture and politics.

We also discuss the powerful effect on self-conception that the American continent-wide rape gulag had on the West Africans who became the African-Americans, which were profoundly different from the effects that mass enslavement had on the so-called “indentured servants”—that is to say, European slaves, not to mention the rest of humanity since slavery existed across the planet.

 

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May 11, 2015

Celebrated novelist NK Jemisin is the author of The Inheritance Trilogy, The Broken Earth Trilogy, and The Dreamblood Duology. Her writing has won the Locus Award for Best First Novel and three Romantic Times Reviewer’s Choice Awards. Jemisin’s work has also received nominations for the Crawford, Gemmell Morningstar, and James Tipree, Jr. Awards, two nominations for the World Fantasy Award, three nominations for the Hugo Award, and four nominations for the Nebula Award.

Along with Nalo Hopkinson and Nnedi Okorafor, NK Jemisin is one of the N3, a nucleus of highly influential contemporary writers of science fiction and fantasy. Jemisin is also well-known as a blogger on politics, feminism, and racism; in what writers would call a “day job” and what others would call a full-time career, she’s a counselling psychologist.

In today’s episode, Jemisin speaks on her craft, specifically:

  • World Building, including what to leave in, and what to leave out and why
  • The importance of a “Beta Readers”
  • Pessimism vs sociopathy in characterisation
  • Why some SFF readers react angrily against the use of unfamiliar literary techniques
  • Fan reactions against novelty, and reader single-mindedness
  • Her alternative to meat-and-potatoes epic fantasy
  • How being a psychologist affects her character creation
  • Outlining vs pantsing

 Jemisin spoke with me by Skype from her home in New York City on January 24, 2015.

 

May 4, 2015

The Routledge Companion to Literature and Science calls acclaimed novelist Nalo Hopkinson a luminary in the science fiction community. She is widely identified with Afrofuturism, an Africentric aesthetic movement in music, fashion, film-making, comic books, and novels that draws upon global African aesthetics and histories to imagine new Africentric futures.

As you’re about to hear, Nalo Hopkinson has lived in many regions and communities of the Western hemisphere, making her an insider to many and an alien to many more. She’s the author of ten celebrated books including Skin Folk, Sister Mine, The New Moon’s Arms, and her explosive debut Brown Girl in the Ring, a dystopian science fiction adventure set in near-future Toronto featuring an African-Canadian heroine and the orisha gods of Nigeria and Benin who are central to the New World African cultures and religions of the Caribbean and South America.

In many ways Hopkinson and fellow author Tananarive Due novel helped re-launch Afrofuturist literature, and broke ground for novelists such as Nnedi Okorafor, N K Jemisin, Andrea Hairston, and Daniel Jose Older, and the Kenyan science fiction filmmaker Wanuri Kahiu. She’s now a professor of Creative Writing at the University of California Riverside in the only dedicated SF writing programme anywhere in the English-speaking world.

In this episode, Hopkinson discusses the craft of writing, addressing:

  • Her stance on pantsing vs. outlining
  • What unites the work of Terry McMillan, Neil Gaiman, and Ursula Leguin
  • The importance of symbolism, and
  • The experience of readers misreading what she’s written

I began our discussion by asking Hopkinson about her work at the University of California Riverside. Note that at one point we’re discussing the Terry McMillan novel Waiting to Exhale and the movie adaptation directed by Forrest Whitaker, and unfortunately neither of us can remember the title, and later Nalo graciously cites my own novel The Coyote Kings but without naming it.

Hopkinson spoke with me from her home in Riverside, California by Skype on November 30, 2014.

 

Mar 16, 2015

Wab Kinew is the 2015 host of CBC’s national book competition Canada Reads. He’s an award-winning hip hop artist and journalist, a correspondent for Aljazeera America, and perhaps best known to Canadians as the advocate for Joseph Boyden’s The Orenda, the winning book for Canada Reads 2014.

Last year on CBC’s Canada Reads, Wab Kinew electrified listeners with his opening book defense that name-checked each rival book in the competition while building to the climax of his own choice, Joseph Boyden’s The Orenda. And he did it all in just under his allotted 60 seconds, memorised, and in verse. He began the competition by demolishing his competitors, some of whom, like runner Donovan Bailey, failed to use even half his accorded time, perhaps forgetting that you couldn’t win this contest by finishing early.

Despite numerous achievements and awards, merit alone wasn’t enough to get Wab Kinew his new gig as moderator of Canada Reads 2015—timing played the decisive factor. Last September, the former Canada Reads host, Jian Ghomeshi, began a public and highly dramatic self-destruction over as-yet unproven allegations of beating women before or during sex. He’s currently living with his mother while awaiting trial.

In that context, Wab Kinew discusses:

How he got selected to be a Canada Reads 2014 panelist
What he brings to the role of Canada Reads 2015 moderator, and what he thinks the radio series should do for the country, and
His take on the spectre of Jian Ghomeshi over this year’s competition.

In part 2 of the show, you'll hear the brilliant writer of the Leo Desroches mysteries Fall From Grace and A Killing Winter, Wayne Arthurson. Arthurson is a Metis writer from Edmonton who’s been a small town newspaper reporter, advertising copy writer, ghost writer, editor, punk rock drummer, a contestant on the BOOK TV series The 3 Day Novel Contest, and the popular historian who crafted In the Shadow of Our Ancestors for Lone Pine Press.

Arthurson was one of the featured speakers at Authorpalooza, a series of writers-on-writing live talk shows I run in my current work as Writer in Residence at the University of Alberta’s Department of English and Film Studies.

To check out more of Arthurson’s work, including his appearance on The 3 Day Novel Contest, visit mfgalaxy.org.

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Dec 16, 2014
Eden Robinson is a forty-something West Coast writer of the Heisla and Heilstuk nations from Kitimat, BC. Traplines was as a New York Times Editor’s Choice and Notable Book of the Year; it also won the Winifred Holtby Prize for the best first work of fiction in the Commonwealth. Robinson’s first novel, Monkey Beach, was nominated for the Giller Prize and the Governor General’s Award of 2000.
 
Read more at http://mfgalaxy.libsyn.com/#FOhkiyrfXsgDZtWj.99
Dec 16, 2014

Eden Robinson is a forty-something West Coast writer of the Heisla and Heilstuk nations from Kitimat, BC. Traplines was as a New York Times Editor’s Choice and Notable Book of the Year; it also won the Winifred Holtby Prize for the best first work of fiction in the Commonwealth. Robinson’s first novel, Monkey Beach, was nominated for the Giller Prize and the Governor General’s Award of 2000.

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