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MF GALAXY

MF GALAXY is a weekly podcast powered by four mighty engines: * Writers on writing: the craft and the business * Pop culture including TV, movies, graphic novels, and more * Progressive politics, activism, and social enterprise * Africentric change-makers, histories, cultures, art, and more! Mixing brand-new interviews with classic conversations (from my archive of 23 years in broadcasting) with famous and dynamic figures in the arts, Hollywood, and politics, MF GALAXY will take you to places you've never been before, and deliver fresh insights on the places you've been.
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Now displaying: Category: director - documentarian
Jun 12, 2017

Remember when the Chinese, Saudi Arabian, and Nigerian governments invaded Canada and occupied it and it seemed like they would never leave? Remember how every province and territory fell like dominoes even after heroic military struggles against them, and so the invaders jailed or killed our resistance leaders after labelling them terrorists and savages?

Remember how they made trillions of dollars in profit for the Chinese communist party, the Saudi monarchy, and the Nigerian government, by stealing our whole country, and then they mocked us for being poor?

Remember how they destroyed and outlawed all our cultural institutions, suppressed all our languages, forced us to take Mandarin, Arabic, and Yoruba names, and forcibly converted some of us to communism, Islam, or the Yoruba religion—and punished us if we stayed faithful to our own beliefs?

Remember how they sent all our children to their schools where they tortured, starved, and even raped thousands of them, where they tolerated up to a 50 per cent death rate for our kids they jailed there, and often didn’t inform us when our kids died and they buried them in unmarked graves?

Remember all the trauma and addiction we experienced and passed on because of what they did to us, and how even after all that horror, for over three decades they kidnapped 20,000 more of our children and sent them to live with Chinese, Saudi, and Nigerian families who were occupying our land, and prevented them from learning their heritage languages and cultures and even knowing their real families?

Well, of course you don’t remember any of that because that never happened. But that is exactly what English and French invaders did to the hundreds of Indigenous nations of what is now called Canada. And the rest of us whose families arrived later became settlers on all that conquered territory—the second-largest country on earth—which means our families collaborated with that colossally destructive regime, whether we knew it or not. Every dime of Canadian GDP since 1867 has arisen from the cultural and even physical genocide that we don’t even call genocide—we call it “confederation.”

But because we as settlers teach ourselves to see the people we’ve conquered as beneath us, we can sleep easily and pat ourselves on the back as being the politest and most civilised people on earth, especially as compared to those nasty Americans. Because if we did see First Nations people as being just like us, and if we reflected on how we would feel and what we would do if anyone had committed such crimes against us, we would never sing “O Canada” proudly again.

But hopefully, we would commit our lives to righting the wrongs that earn our society trillions of dollars and make us among the most comfortable people on the planet.

Well, regardless of our collaboration with genocide, many of the people our regime targeted survived and many have even thrived. Award-winning filmmaker Tasha Hubbard has created the startling new documentary Birth of a Family. It’s co-written by Saskatoon Star-Phoenix reporter Betty Ann Adam, about Adam’s successful uniting with her three siblings Rosalie, Esther, and Ben, decades after the Canadian government kidnapped them.

It’s not a re-union because while Betty Ann had met each of them, the rest had never been together before the remarkable week of filming when they toured Banff and stayed in the same cabin at the Banff Centre for the Arts.

The director and co-writer behind this unforgettable portrait of intergenerational pain and profound triumph is Tasha Hubbard. She’s an Assistant Professor in the Department of English at the University of Saskatchewan. She won a Gemini and Golden Sheaf for writing and directing Two Worlds Colliding, and created the animated short Buffalo Calling which screened at the 2015 Venice Biennale. Her short hybrid documentary 7 Minutes won a Golden Sheaf Award in 2016. She’s a member of the Cree Nation, and researches and creates projects for Indigenous media on images of the buffalo and the experiences of Indigenous women and children. She also blogs for the Broadbent Institute.

On May 30, 2017, Tasha Hubbard spoke with me by Skype about her new National Film Board documentary. In this episode of MF GALAXY, we discuss:

  • How and why the Truth and Reconciliation Commission motivated Betty Ann Adam to make a film about uniting with her siblings
  • The strict rules that Hubbard imposed on herself to avoid ruining this pivotal experience in the lives of Betty Ann, Rosalie, Esther, and Ben
  • Why settlers continue to use quaint and even cheerful euphemisms such as “the Sixties Scoop” for a three-decade long mass-kidnapping campaign against 20,000 children and their families, and
  • How Hubbard ensured that her film conveyed the individuality, dignity, and triumph of the people she was photographing

Along the way, we discussed Write Magazine, which published an editorial that proposed a “cultural appropriation” writers prize to encourage people to write, in the editor’s words, what they did not know. I also mentioned a birthday party, which refers to a powerful sequence in the film. And Hubbard talked about being “raised away,” which means separated from one’s birth family.

 

National Film Board of Canada website

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Aug 24, 2015

The Canadian feature The Corporationis one of the most acclaimed and electrifying documentaries in recent memory, which examines corporations as one of the most dangerous institutions on the planet.

Beginning with the legal principle in the United States and Canada that corporations are “persons,” the documentary then asks the question, “If they are persons, what kind of persons are they?”

According to the fourth Diagnostic and Statistical Manual of Mental Disorders published by the American Psychiatric Association, corporations as persons meet the definition of psychopaths, that is, people unable to experience remorse.

Such a psychological defect turns such individuals into parasites and predators. A smaller number of them become killers. While the word psychopath and its one-time synonym sociopath have been replaced by the wordy phrase “Anti-Social Personality Disorder,”the meaning remains the same, and as the documentary explores, a potent and revealing way to explain and predict corporate behaviour, and perhaps to curtail and punish it.

In March 2004, Jennifer Abbott, one of The Corporation documentary’s directors, came to Edmonton to unveil her film which features interviews with major figures such as political analyst Noam Chomsky, documentarian Michael Moore, economist Milton Friedman, CEO Ray Anderson, journalist Naomi Klein, labour crusader Charlie Kernaghan, and commodities trader Carlton Brown, each of whom defends or attacks corporations.

During our conversation, we spoke of many of the film’s most dramatic moments, including the sequence depicting the attempt by the transnational corporation Bechtel to privatize the water supply of an entire country—including by making illegal the collection of rain water—and the inspiring revolt against that attack on national sovereignty and natural rights.

One aspect of the conversation you may find jarring is our eleven-year-old perspective on some events such as the illegal US invasion of Iraq, or political figures such as then-Prime Minister of Britain Tony Blair, then-President of the United States George W. Bush, and then-Prime Minister of Canada Paul Martin.

Throughout the show, you’ll hear clips from the documentary. Go to MFGalaxy.org to see some clips. Visit The Corporation.com to purchase a DVD of the film, and to contribute to the film-makers’ crowdfunding effort to give the film for free to one thousand schools.

To hear the special extended edition of this episode of MF GALAXY with 20 extra minutes of my conversation with Jennifer Abbott, become a patron of MF GALAXY. The more you pledge, the larger your rewards, but as little as 25 cents per week gets you access to all the extended editions of the show. Remember: You can power this podcast. So do it.

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