Marvel’s Black Panther is a global sensation. As of Saturday, March 3, 2018, only two weeks and two days into its release, the Ryan Coogler/Joe Robert Cole film has grossed $US898 million worldwide. Within its first week it had outgrossed what DC’s Justice League took three months to earn, and the entire US runs of Ant-Man, Doctor Strange, The Incredible Hulk, the first Captain America, and the first two Thor films. It had the fifth-highest opening of all time and the third-highest four-day opening ever.
Of course, money isn’t everything, but the astonishing success of a film that is 100% obviously Africentric, starring African characters played by African actors, written by two African writers and directed by an African director, is game-changing. It negates in sky-writing every Hollywood executive who ever claimed that US-made movies about and by Africans could not make money outside the US.
And this is within the same 12-month period in which the African-made, Africentric film Get Out, shot on a budget of a paltry $4.5 million, earned a quarter of a billion dollars globally.
We’ve all seen the photos of African-Americans and African-Canadians wearing gorgeous African clothing to watch the premiere of the movie, and it’s clear that the film is inspiring generations of young and older global Africans the way that Star Wars inspired filmmakers and fans worldwide.
There are countless articles and podcasts and interviews about Black Panther, and some people have posted Wakanda curricula online—in fact, mine will be online at ministerfaust.com next week. And obviously the film has its detractors, too.
To discuss the film I asked a wide range of global African writers, filmmakers, academics, and political organisers to tell me their own experience of the film, its characters, its social significance, and its likely impact on Africentric filmmaking. On today’s episode of MF GALAXY, you’ll hear:
And for today’s episode, like last week’s show, I’m offering the bonus content for free. Find part 2 of today’s episode right now at patreon.com/mfgalaxy.
A reminder that this show is 100% spoilers.
Maybe you’ve been chained at the centre of the earth and the mole-people have been jamming your wifi since you got there, and that’s why you don’t know about the breathtaking Marvel blockbuster Black Panther. If so, I don’t know how you’re hearing this podcast, but my sympathies to you and I’ll try to lower a pitcher of lemonade on a long rope.
But for everyone else, as of February 21, not even a week after opening day, the $200M-budget movie has earned $441 million worldwide. The idea that a completely Africentric science fiction film with a pan-African cast, set in a fictional African country, with no major European stars, and written and directed by Africans, could achieve one of the biggest opening weeks ever was, even a few years ago, unthinkable. You could even say the idea of that success itself was Africentric science fiction. And now, it’s reality.
Ryan Coogler and Joe Robert Cole wrote it, Coogler directed it, and Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, and Letitia Wright among many others starred in it, and it’s outstanding. Story-wise, in many ways it’s an Africentric Star Wars but set on Earth. The film inspired massive anticipation, far more than I ever would have guessed, and many African movie goers attended wearing gorgeous continental clothing to celebrate and posted their photographs to prove it.
But with so many people expecting so much, including some people who know very little about superheroes and science fiction, it’s inevitable that many people expected this action movie to do things that action movies can’t and shouldn’t do: that is, provide a saintly portrait of perfect people behaving nicely and checking off every box on their personal, political, cultural, and artistic agenda. Lemme tell you: no movie ever will do that, unless it’s two hours of rock-hard dullness.
This is an action movie with a mind, Marvel’s most intellectual, most feminist, and clearly most African. So I sat down at the African Safari Somali restaurant in the neighbourhood of Kush, Edmonton on February 18, 2018, with a group of brilliant and accomplished friends of mine: YA author Natasha Deen, arts organiser Darren Jordan, HIV activist Morenike Olaosebikan, Black Women United co-founder Junetta Jamerson, and Member of the Legislative Assembly of Alberta David Shepherd, to discuss the movie and its social significance. And let me be clear, our discussion is 100% spoilers.
Today and next week, as a special gift in honour of African History Month, I’m releasing the extended versions of this show absolutely free. Just go to Patreon.com/mfgalaxy to download more than 40 minutes of extended content, no charge. Of course, if you want to support MF GALAXY, please become a sponsor and access all the other bonus content.
A correction—I refer to the Great Djenne Mosque of Mali as being in Timbuktu, but that was silly of me, because of course the Great Djenne Mosque is in, where else, Djenne. Timbuktu is a separate city.