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MF GALAXY

MF GALAXY is a weekly podcast powered by four mighty engines: * Writers on writing: the craft and the business * Pop culture including TV, movies, graphic novels, and more * Progressive politics, activism, and social enterprise * Africentric change-makers, histories, cultures, art, and more! Mixing brand-new interviews with classic conversations (from my archive of 23 years in broadcasting) with famous and dynamic figures in the arts, Hollywood, and politics, MF GALAXY will take you to places you've never been before, and deliver fresh insights on the places you've been.
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Now displaying: August, 2018
Aug 15, 2018

Today, the day I’m recording this, is August 14, 2018. Spike Lee’s movie Black Klansmen is new in theatres, released to coincide with the one-year anniversary of the neo-Nazi march on Charlottesville in which one Nazi terrorist used his car to kill anti-fascist activist Heather Heyer.

The nazis who marched, the same people who accuse humans with compassion of being “snowflakes,” brought their hateful temper tantrum to Charlottesville because they opposed the removal of monuments in honour of those who used violence to defend the racist colonial dictatorship that presided over a continent-wide rape gulag.

Those nazis said they were simply honouring their culture, the culture of the American South. But if they truly wanted to honour southern heroes, they could easily have honoured Sojourner Truth, Harriet Tubman, Francis Ellen Watkins Harper, Maria W. Stewart, Charles Osborn, or any of the 106 anti-slavery societies in the US South. But these people don’t honour history. They honour racial supremacy and genocide. 

On August 12, 2018, just two days ago, US nazis marched on Washington to celebrate the anniversary of murdering Heather Heyer. The man who convened last year’s riot and this year’s event was Jason Kessler (whose own father denounced yelled at him to "Get out of my room!" during a livestream because the 34-year-old Aryan warrior had moved back home with his folks). Yet with a full year to prepare, they could muster only two dozen Whitesupremacists, according to The Atlantic. Black Lives Matter, anti-fascist, and other demonstrators vastly outnumbered them. According to The Atlantic, media alone outnumbered the nazis three to one.

But don’t be fooled. Just because their rally fizzled, their movement isn’t doomed. After all, White identity extremists hold power at every level of the US economy, military, media, educational system, and political structure, right up to the Oval Office. Those who ignore their power and their growth are doomed to follow in the train tracks of victims of Nazis past.

Enter Mike Stuchbery. He’s a Twitter commentator, popular historian, writer, and broadcaster based in Luton, England. He uses history and humour to challenge fascists online, delving into topics from Africans in Ancient Rome to George Orwell and why so many right-wingers love to claim that the Nazis of Germany were socialists, despite their deadly attacks on unionists, socialists, and communists in defense of Germany’s wealthiest people and corporations.

Mike Stuchbery spoke with me on April 13, 2018 by web video from his home in Luton. We discussed: 

  • Why right-wingers like to claim Nazism was socialist
  • What fascism is according to Umberto Eco
  • How and why German fascists co-opted certain socialist icons and principles while attacking socialism and socialists at every turn
  • How Stuchbery began his online fight with right wing extremists, how they targeted him for threats and abuse, and who routinely gets far, far worse than he did, and
  • Why the number one enemy of fascist women is fascist men

Just before I asked my first question, Stuchbery told me that while he was born in Australia, he’s lived in England and for a while lived in Germany, raising intriguing questions for me about his motivation for risking so much online to define what fascism is, and what it isn’t.

 

Mike-stuchbery.org

Mike Stuchbery’s Patreon Page

Umberto Eco’s Fourteen Aspects of Fascism

Michael Parenti on fascism

Michael Parenti on fascism as a false revolution

Michael Parenti: The Functions of Fascism

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Aug 1, 2018

If you’re an artist, it’s almost a guarantee you’ve experienced the difficulty of getting your work noticed. No matter how much you care, it seems too many other people just don’t. Being ignored that way is always frustrating, but it’s worse when it’s in your hometown, and even more so when you’ve worked to promote the work of other artists around you and even get them work.

That’s been the experience of Matt Alden Dykes. He’s an outstanding actor and improvisor, with decades on the job, and he’s also an executive producer, writer, and actor on the sketch comedy show Caution: May Contain Nuts. And if that weren’t enough, he’s worked on the TV shows Tiny Plastic Men and Delmer & Marta, and is a long-time member of Edmonton’s Rapid Fire Theatre, the live improvised soap opera Die-Nasty, and the comedy troupe Blacklisted.

On May 1, 2018, we met at Simply Done Café in Edmonton’s Gallery District and discussed:

  • How difficult it’s been to get local artists and journalists to support his TV productions despite appearances from Canadian comedy legends
  • Repeatedly dealing with the condescending question, “So when are you moving to Toronto or Vancouver?”
  • Trying to get people to watch TV when new media including Netflix is changing how, when, why, and what people watch
  • The future of Caution: May Contain Nuts, and
  • How he’s bringing Star Wars to Edmonton

 

Cautiontv.com – Matt Alden

Rapid Fire Theatre – Matt Alden

Kanucks Cantina

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