Whether you hear this podcast the day it went live—April 30, 2018—or any other day, you’ll have some mass-shooting in the United States that makes this discussion timely. According to AOL.com, in 2017 the United States endured 345 mass shootings. The Atlantic reported in 2016 that the US, with less than five percent of the world’s population, holds 35 – 40 percent of the world’s guns. The Gun Violence Archive reports that in 2017, Americans used guns to kill 15,000 Americans; more than 3000 of them were teens; police shot or killed more than 2000; and more than 2000 shootings were unintentional.
According to stereotypes, US Republicans love guns and US Democrats hate them, and since African-Americans are overwhelmingly Democrats, according to the transitive principle, most African-Americans must hate guns, too, right? After all, a lethal triad of street criminals, police criminals, and Whitesupremacist criminals use guns to terrorise African-Americans.
But it’s not that simple, as history demonstrates, and as my guest today will show.
Chad Glover is a writer and software developer from Philadelphia. According to his bio, he “grew up in a household where guns were commonplace,” but he “didn’t explore firearms as a skill and legacy until he moved to Stone Mountain Georgia,” which he calls “the spiritual home of the KKK.” That led him to write “about the forgotten ways that firearm ownership shaped the struggle for African liberation,” a tradition that includes the Deacons for Defense and the Black Panther Party. He describes himself as “a liberal gun owner,” and an active part of a continually-growing African-American gun community. You can find his essays on his African gun ownership at his blog, Daddys-gun.com.
Chad Glover spoke with me by digital video on March 23, 2018, from his home in Atlanta. We discussed:
Hip hop began almost 50 years ago, and it’s changed more and encompassed more than any musical or lyrical aesthetic in that time that I can think of. Careers rise and fall, styles change and grow, but one thing remains the same: a great voice, clear delivery, a range of subjects, and intelligent insight as a package will almost guarantee immortality.
For years I hosted a radio show called Asiko Phantom Pyramid: Global African Musics Led by Headcharge of Hip Hop, and when it came to hip hop acts I’d play again and again, the list always include Public Enemy, KRS-One, Paris, and my guest today, the Boston-based rapper Akrobatik, and his partnership with the superb Mr. Lif in the crew called The Perceptionists. Akrobatik grabbed my imagination with 2003’s Balance, his first album, and proved he was no flash-in-the-pan with the 2005 Perceptionists album Black Dialogue. His music has appeared on HBO’s The Wire, in films such as Date Movie, and in video games such as Need for Speed: Most Wanted.
As a result of a ruptured heart valve, Akrobatik has also transformed himself physically, determined as he is to stay alive for his family, and to offer his gifts to the world. Those gifts include albums such as Absolute Value, Built to Last, and Resolution.
Akrobatik spoke with me by Skype on April 10, 2018 from his home in Boston. We discussed:
For ages, inside and outside fan circles, the stereotype was that Africans and Indigenous people don’t like science fiction. That’s a bizarre myth. After all, because both science fiction and fantasy offer the spirit and the intellect the chance to remake the world. For peoples who remember the historical destruction of their own worlds and live under oppression, escape stories offer indispensable hope—the dream that deliverance is possible. And when they offer the intellect the means to plan utopia, or at least a new-topia, they’re even more powerful.
That yearning helps explain the extraordinary success of Black Panther, and the promise offered by award-winning science fiction filmmakers such as my guest today, Danis Goulet. She’s a Cree-Metis filmmaker from LaRonge, Saskatchewan. She’s an alumna of the National Screen Institute's Drama Prize Program in Canada and the TIFF Talent lab. Her social realist and science fiction films and virtual reality work have gone to the Toronto International Film Festival, Sundance, and imagineNATIVE. Her VR includes The Hunt, and her films include the dramas Barefoot and Wapawekka, and the post-apocalyptic Wakening. That stunning 2013 short film imagines a future Toronto crushed under an unknown hypertechnological occupation. And engaging their ancient conflict at doomsday are two titans of Cree mythology: Weesagichak, the genderless shapeshifter from the stars, and Weetigo, the ruthless cannibal spirit of insatiable hunger.
On March 15, 2018, Danis Goulet spoke with me by Skype from her home in Toronto. We discussed:
I am a pernsnicketty cat—some would say difficult—and I have been known to argue at length that no one should ever use the expression “laughed out loud” because all laughter is out loud, by definition. So that means if I can overcome my boundless rage enough to invite the host of a national radio programme called Laugh Out Loud, I must really be impressed. And I am.
But Ali Hassan actually grabbed my attention not by MCing that showcase for Canadian comedians, but rather for his excellent work as an interviewer and guest host on CBC Radio’s q. I liked his voice, I liked his rapport with guests, and I liked his questions—but what totally floored me was that he easily and accurately dropped a reference to KRS-One during an interview without explaining it. I thought, I have got to contact this dude. So I did, and that’s what led to today’s conversation about the art, craft, and business of stand-up comedy and interviewing.
Hassan is a Pakistani-Canadian comedian, actor, and chef from Montreal. He’s toured Canada and performed at Just for Laughs and the Winnipeg Comedy Festival; he’s performed across the US and the Middle East, and took his one-man show Muslim, Interrupted to Scotland for the planet’s biggest comedy festival, the Edinburgh Fringe. He’s been in the movies Breakaway, French Immersion, and Goon!, and on TV he’s on Odd Squad, Man Seeking Woman, Game On, Cardinal, Designated Survivor, and FUBAR: Age of Computer.
Hassan spoke with me by Skype on February 2, 2018. We discussed: