Christian A. Brown is an epic fantasy author and indie publisher who’s earned the praise of Kirkus Reviews, Clarion Reviews, The Huffington Post, and a former supervising producer of The Oprah Winfrey Show. The former fitness trainer is also an active blogger on numerous topics, including gender and sexuality, and on his mother’s experience of cancer.
Christian Brown spoke with me by Skype on December 30, 2015 via Skype. We discussed:
During the discussion, I alluded to the concept of hypomania and mentioned the theory of multiple intelligences, but forgot the name of its framer—Howard Gardner (https://howardgardner.com/multiple-intelligences). We began by discussing Brown’s preferences for how an editor should work with him.
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Ice-T is one of the best-known artists from what is now widely known as the golden era of hip hop—the 1986 to 1992 span that saw the widest assortment of lyrical content and the climax of political and Africentric work.
West coast artist Ice-T brought a mixture of allegedly autobiographical stories and fictional ballads named “crime rhymes,” while also engaging in incisive social commentary against racism, media, and government.
In 1992, Ice-T’s musical career nearly imploded under attacks from White police, Charlton Heston, Al Gore’s wife Tipper, US vice president Dan Quayle, and President George H.W. Bush. Ice-T’s heavy metal band Body Count released the revenge fantasy ballad “Cop Killer,” about brutal and murderous racist police.
Having survived the onslaught with the support of The National Black Police Association, Ice-T continued to grow his acting career, which had begun with the 1984 US film Breakin’, grew through 1991’s New Jack City, and later hit its height on television’s Law & Order: SVU.
In the year 2000, Ice-T performed in Edmonton at club then called Red’s. In this episode you’ll hear what he had to say, including:
A few of notes: I have no way of knowing what claims Ice-T made of his past are actually true; creating a fictional onstage persona is almost as much a key element of hip hop as it is of pro-wrestling. At one point Ice-T describes having been a pimp; I don’t know if his claims are true, but certainly now as a husband and father, I marvel at my failure sixteen years ago to have asked him about the inherent depravity of such a degrading and misogynistic profession. You are a grown-up, so decide for yourself if you want to listen.
That being said, for those of you who subscribe to the EXTENDED EDITION PODCAST, you’ll hear the commentaries on Ice-T’s remarks, also recorded in the year 2000, by E-Town community activists Darren Jordan and Kelly Fraser.
Also, when I recorded this interview in the year 2000, I’d never heard of Kid Rock. That’s important to know to understand the sarcasm of Ice-T’s comment and my confusion at his answer.
Finally, Ice-T let me interview him immediately after his show. There’s no question that any artist, or speaker, walking offstage after an intense performance is in a mind-state that isn’t suited to honest reflection, but to spectacle and artifice. But note while you’re listening how Ice-T slowly calms, becoming quieter and possibly more sincere. He was generous with his time, and for that I thank him.
To hear the half-hour of patrons-only bonus material about my conversation with Ice-T, visit mfgalaxy.org to click on the Patreon link to become a sponsor for a dollar or more per week.
By funding MF GALAXY, you get access to all extended editions of the show, plus video excerpts from selected interviews as they become available. This extended edition includes community activists Darren Jordan and Kelly Fraser from a Terrordome interview in the year 2000 discussing:
It’s one of the most innovative and best-written Western animated series ever made, Avatar: The Last Airbender. Brian Konietzko and Michael DiMartino created its three seasons, which ran from 2005 to 2008. While technically aimed at children and teens, the series had a vast adult following that continues to grow via DVD, and because of its sequel series The Legend of Korra.
Distilled to its essence, Avatar: The Last Airbender is about a Dalai Lama-style boy monk with super-powers. He’s a bender, a person who can shape the four elements to his will. In this world, each element has a nation: the Air Nomads, the Water Tribe, the Earth Kingdom, and the Fire Nation. Young Avatar Aang, born an Airbender, awakes in a world in which the Fire Nation has destroyed the balance among the nations by waging a war for global conquest.
Young Aang already knows air-bending, but if he’s to defeat the Fire Nation armies and its Fire Lord, he has less than a year to master the other elements, or face a planetary dictatorship that is now invincible. Avatar is a lushly animated and intelligently-written series with memorable and touching characters. It’s alternately deeply philosophical and hilariously slapstick.
Sifu Kisu is the martial arts consultant for the series. He’s the man who designed the distinct bending moves for each of the four nations and all the lead characters, and choreographed all the weapons fighting, based on his own decades of training in Chinese and other East Asian fighting systems. Avatar without his enormous impact wouldn’t be the same—try imagining Star Wars without the Force and light sabres. In the show’s final season, the creators transformed Sifu Kisu into a character named Sword Master Piandao, voiced by Robert Patrick, best known for playing the T1000 in Terminator 2.
Sifu Kisu has led a fascinating life. In addition to his decades of training in and teaching of martial arts, he’s been in the US armed forces, served as a body guard to foreign dignitaries, and worked in Hollywood; as an African-American super-achiever in martial arts, he’s befriended many of the most accomplished African-American practitioners of various fighting forms.
Sifu Kisu and I discussed:
We began by discussing Sifu Kisu’s pitch to Hollywood for his own animated martial arts series, which embodies his ideals for how martial arts can improve humanity.
To hear the half-hour, patrons-only extended edition of my conversation with Sifu Kisu, visit mfgalaxy.org to click on the Patreon link to become a sponsor for a dollar or more per week.
By funding MF GALAXY, you get access to all extended editions of the show, plus video excerpts from selected interviews as they become available. This extended edition includes Sifu Kisu discussing: